Cast Off by novelist and playwright Margaret Egrot is an ingenious concept for a short story collection. The thirteen stories are all inspired by female characters from Shakespeare’s plays, offering new perspectives and twists on characters often overshadowed by their male counterparts.
Some of the stories are set with the world of the play themselves. These develop female characters who barely feature in the original work. One such example is the witch Sycorax, an offscreen presence in The Tempest, who Egrot brings to life in Ban! Ban! Caliban! by narrating her backstory.
Other stories depict a more prominent Shakespearian character, such as Othello’s Desdemona or Measure for Measure’s Isabella, yet offer their version of the events in the play.
Further range is found in A Midsummer’s Day’s Dream which is a contemporary story with four students in place of the traditional leads; The Tangled Knot presents Twelfth Night’s Olivia from the comical voice of the Clown; whilst Is Not This Well? features an actress criticising the Bard himself for his misogynistic treatment of Kate in The Taming of the Shrew.
As you can see, no two stories are the same, despite the intrinsic Shakespeare theme. The diversity of the collection is testament to Egrot’s vast talent and a guarantee that you will never get bored as you turn the pages.
Be assured, as Egrot writes in her foreword, there is no pressure to be familiar with Shakespeare’s work to enjoy these stories. However, any fans of the Bard will gain an extra kick of enjoyment from spotting direct quotes from Shakespeare’s work, hidden within the stories like a DVD Easter Egg.
Cast Off is proof that Shakespeare’s legacy is alive and well. Egrot reinvents the source material with a fresh feminist perspective and injects plenty of original ideas into her homage to Shakespeare’s overlooked heroines.
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Some of the stories are set with the world of the play themselves. These develop female characters who barely feature in the original work. One such example is the witch Sycorax, an offscreen presence in The Tempest, who Egrot brings to life in Ban! Ban! Caliban! by narrating her backstory.
Other stories depict a more prominent Shakespearian character, such as Othello’s Desdemona or Measure for Measure’s Isabella, yet offer their version of the events in the play.
Further range is found in A Midsummer’s Day’s Dream which is a contemporary story with four students in place of the traditional leads; The Tangled Knot presents Twelfth Night’s Olivia from the comical voice of the Clown; whilst Is Not This Well? features an actress criticising the Bard himself for his misogynistic treatment of Kate in The Taming of the Shrew.
As you can see, no two stories are the same, despite the intrinsic Shakespeare theme. The diversity of the collection is testament to Egrot’s vast talent and a guarantee that you will never get bored as you turn the pages.
Be assured, as Egrot writes in her foreword, there is no pressure to be familiar with Shakespeare’s work to enjoy these stories. However, any fans of the Bard will gain an extra kick of enjoyment from spotting direct quotes from Shakespeare’s work, hidden within the stories like a DVD Easter Egg.
Cast Off is proof that Shakespeare’s legacy is alive and well. Egrot reinvents the source material with a fresh feminist perspective and injects plenty of original ideas into her homage to Shakespeare’s overlooked heroines.
If you would like Simon to review your book then check out his Review Policy for more information. Sign up to Simon's newsletter to hear more about his reading and writing projects.
