On Friday, we launched Circ, the novel that was written as a result of the Ten To One project.

Ten To One was a novel writing project in which ten authors from around the world wrote a novel together, seeking the approval of a judging panel and a public vote to keep their character in the story. The project lasted for almost two years, from inception to launch, so Friday's event was a huge celebration for our hard work. Myself and seven of the authors were able to attend, including Jason Holloway who flew over from Washington DC!

A selection of photos from the event can be found below.

This is the fourth of the Sedgewick Papers - the popular series of steampunk chapbooks by author Iain Grant. The franchise shows no sign of stagnating because this is the most ambitious and entertaining to date.

References to all three previous adventures can be found in the first two chapters, which serve as rewarding Easter eggs for returning fans and will hopefully prompt new readers to delve into the past escapades to satisfy their curiosity.

After adventures in space (Angels), Mars (Pearl) and Tibet (Shambala), the series finally returns to British soil for its latest mystery with investigative duo Professor Sedgewick and his trusty Cadwallander back in their beloved home country. The story begins in Cambridge, with a very British opening gambit about police constables, whilst the city itself is lovingly described as a garden.

Cadwallander is back as narrator after a brief substitution in the third installment, which means his unique brand of pompous and proper humour is also back. After an uncomfortable carriage ride, Cadwallander tell us, "If public decency had not prevented it, I would have attempted to rub some feeling back into my insensuate fundament." Classic Cadwallander.

This begins as a locked room mystery, a staple of the Victorian era, and perfect for this steampunk series. Sedgewick and Cadwallander find a series of victims who appear to have gouged out their own eyes after reading a mystery piece of paper. The first half of the story pursues this intriguing mystery across the country...

...but then Grant throws the reader a curveball. As the trail leads the heroes to the Lowestoft-Zeebrugge bridge, the genre shifts from murder mystery to big budget monster movie! An otherworldly tentacled monster rises from the sea; airships and men in giant iron suits fight the beast with bullets and flamethrowers; and thousands of extras flee as the seaside town crumbles around them. In short, this is the steampunk version of Pacific Rim.

My personal favourite moment is a reference to a seven year-old M C Escher, suggesting that his artwork was inspired by the unnatural proportions which he witnessed when encountering the inter-dimensional monster!

This is steampunk at its best.

On Tuesday, I spoke on the Vic Minett show on BBC Radio Coventry & Warwickshire. We discussed Circ and the unique nature of the collaborative Ten To One Novel project. We also wrote our own collaborative story with the help of her listeners!

The recording is here and you can find me at 2:16:10. We speak for around 15 minutes.

This is the very funny debut novel of author Matty Millard, a comic talent with lots of potential.

In That Other Dimension is top science-fiction comedy, with larger-than-life characters and no small amount of ambition. Millard has a good grasp of how to deliver comic literature, specifically to always keep one foot on the pedal, steering the novel from chaotic set-piece to chaotic set-piece.

Comparisons to Douglas Adams are obvious and deserved. This is a great opportunity to hitch-hike across the the multiverse and, with Millard in the driving seat, you will be glad that you rode shotgun.


In That Other Dimension is available for Kindle and in paperback.

I wrote short stories for two years before stepping up to write my first novel The Sheriff. It seemed a shame for these stories to stay tucked away on my hard drive so I have decided to publish them in a short story collection. The collection is called Breadcrumbs and is now available to buy.

A short story collection is a great way to add another title to your author profile on Amazon. Short stories are also a popular format of story-telling for the fast-paced modern world because they allow readers to digest a story or two on their phone screen during their commute.

I have learnt a few lessons whilst putting together Breadcrumbs which I thought I would share with you. Here are my top five tips for publishing a short story collection.

1. Opening Number - put your best stories at the beginning because these will be contained in the free samples which are offered by Amazon, Smashwords and similar e-book stores. This is your opportunity to win over the reader. Also, for the same reason, do not write a foreword. This would occupy valuable space in the free sample which could otherwise contain evidence of your brilliant story-telling.

2. Order Carefully - you need to think carefully about the order of your stories. It is easier to hold the interest of the reader if you offer them variety, so mix up the lengths, genres and narrative forms of your story. For instance, do not put two haunted house stories one after the other. Always cushion a long story with two shorter stories. If you write poetry then intermingle this with the prose. Mixing up your stories will keep the collection fresh and the reader will find new surprises when they turn each page. A final thought: if you have written a long novella then cut this into parts and distribute throughout the collection. Breadcrumbs features a 20,000 word novella called Little Girl Lost, which I separated into three parts. Now the story is more digestible and will not prompt accusations of false advertising. "I thought this was a short story collection!"

3. Signposting - you may wish to write some stories that signpost readers to your long projects. For instance, Breadcrumbs contains a story called Circus of One, which features my character Mungo the Clown from the novel Circ, Also, the novella described above, Little Girl Lost, is set within the world of The Sheriff and features Sheriff Denebola and his sky-horse Palladium. My hope is that readers will enjoy these stories in the collection and buy my other novels as a result.

4. Afterword - Stephen King ends his short story collections with an afterword that contains fun facts about each short story. I have done something similar with Breadcrumbs and it was a lot of fun. It gives you the opportunity to tell readers how you came up with the idea and tell them bits of trivia, such as the meaning behind character names or how the final version differs from earlier drafts. It is the literary equivalent of a DVD commentary.

5. Title and Cover - this is the tricky part. You need a title and cover that draws all of the stories together. This is a lot easier if your stories all belong to the same genre. I was in the difficult situation of having a mixture of stories, including horrors, fantasies and children's stories. In the end, I noticed that each story had a fantastical element and therefore decided that fairy tales could be viewed as a tenuous genre for all of them. I therefore came up with the title Breadcrumbs, which is a reference to Hansel and Gretel. The front cover was equally tricky because I wanted to represent all twenty-one stories. I therefore asked my illustrator to create an icon for each, which could combine to form an overarching image. I chose a gingerbread man, which is the title of one of the short stories and semi-references the title. You can see my cover above, designed by my illustrator Matt Miles.